Hackatao’s response to the masterpiece Head of a Bear by da Vinci is based on the concept of the continuum; a continuous sequence in which adjacent elements are not perceptibly different from each other, but the extremes are quite distinct. A never-ending pattern, a curve or geometrical figure, each part of which has the same statistical character as the whole, and which leads to infinite circularity and the eternity of art.
Hover over the image of da Vinci’s Head of A Bear and, via the Aria App, the bear head becomes animated, fur undulating and ruffling and head turning, and ultimately the mouth of the bear opens and the viewer enters into its jaws. The transition from Leonardo’s drawing, through the mapped 3D head, to the final digital drawings resembles an ocean wave. Throughout this very technical metamorphosis from physical to digital, the attention to detail driven by nature’s movement ties the two works together. Leonardo da Vinci was at the forefront of art in his age and now, in 2021 his work has inspired this response by Hackatao, with each artist taking their inspiration and vision from everyday subject matter.
Hackatao are currently living and working immersed in nature in the mountains beyond Milan, where Leonardo once was court artist. The artist duo have been integral in the revolution of crypto art and a significant influence in disrupting the way in which art is presented. They demonstrate that it is possible to remove oneself from urban life, whilst using technology to keep them fully engaged in the advancing digital world. Hackatao have been a core part of an art movement born from communities based on the web, where space and time no longer exists and where the creators can remain anonymous, being judged only for their art. Behind every art movement there are visionary pioneers, and the name ‘Hackatao’ was born out of the fusion of two words ‘Hack’ the pleasure of discovery, and ‘Tao’ meaning all living.
Their work has been lauded for its vision and interpretation of issues in today’s society including the environment, cryptocurrencies and humanity, whilst Hackatao also render the ever present question in today’s world probing ‘what is art’, as Leonardo may have done as an experimental and pioneering artist in his lifetime. Hackatao has been experimenting with technology and believe that digital art is the new means to create and demonstrate artistic expression albeit via modern technology. As such Hackatao’s work Hack of a Bear is brought to life today in the metaverse (a virtual-reality space in which users can interact with a computer-generated environment and other users) manifesting as a digital work inspired by the original 15th century drawing.
Stijn Alsteens, International Head of Department, Old Master Drawings, Christie’s Paris comments,
‘Leonardo’s exceptional powers of observation and skills as a draughtsman allowed him to capture the world surrounding him like no one had done before – and indeed, like very few have been able to do since. As described in one of his notebooks, the studies he made from nature could also form the basis for works of fantasy and imagination. His ‘Head of a Bear’, made in the early 1480’s, seems to have been used by him when he was working on his celebrated portrait of Cecilia Gallerani in Cracow, which includes an idealized depiction of an ermine. The practice of seeing and studying reality whilst understanding its structure, beauty and artistic potential enabled him to transform it into a new work of art which he made his own – much as innovative digital artists like Hackatao do today.’
Noah Davis, Specialist, Post War and Contemporary Art, Christie’s New York comments, ‘One can only assume if Leonardo, the consummate technologist of his day, were living and working now, he would be absolutely fascinated by the rise of NFTs and probably even minting his own. This collaboration marks an important moment for crypto-native artists like Hackatao, when their practice is exploding into focus at the highest echelons of the international art market. It also marks an incredible moment for the Museum of Crypto Art (M○C△), as this will be the first time the work of Leonardo is exhibited in the metaverse. As the old boundaries between lived and virtual experience fade, Christie’s will continue seeking new ways to navigate the fascinating overlap between the two’.
Several NFT works will be created from this work by Hackato, one of which will be donated to the Museum of Crypto Art (M○C△) and the others will be available on SuperRare. The Museum of Crypto Art (M○C△) is a museum that lives in the metaverse and exhibits art across digital platforms and worlds. It is a foundation, governance vehicle, and incubator working with artists to define crypto art, preserve its legacy, and pioneer democratic curation. M○C△’s exhibition of Hackatao’s Leonardo Da Vinci-inspired bear employs the same stylistic goals of the work: modernizing genius from the Italian Renaissance in a digital context. The exhibition environment plays with scale, light and colour to create anticipation and lead viewers through an experience. M○C△ will exhibit Hackatao’s ‘Hack of a Bear’ from July 9th at the Museum. To view please click here.
There will be a virtual exhibition running parallel to the Christie’s Exceptional Sale auction at M○C△ on the Arium platform, curated by Eleonora Brizi. The exhibition opens on the 7th of July. Please click here to discover the exhibition space.
The Head of a Bear by Leonardo da Vinci, together with the Hackatao response will be available to view in situ from 3 July 2021 within the Classic Week view taking place at Christie’s King Street, London until the 7 July. It will also be available to view via the ARIA app from the 3 July from anywhere in the world. Please find the QR code below in order to access the App and experience this digital work come to life from 3 July.
Leonardo da Vinci Head of a Bear is a highlight in the forthcoming Exceptional Sale taking place live on 8 July at Christie’s London.
Please click here to view a teaser video of the final digital work via the Hackatao website.
Please click here for dropbox imagery contained in the release. Please note the photo credits for the imagery provided are ©Christie’s Images 2021 or ©Hackatao as per the captions above.
Charlotte Brown I +44 207 752 3172 | [email protected]
Notes to Editors
London, Burlington Fine Arts Club, Pictures, Drawings, Furniture and other Objects of Art, 1936-1937, no. 18.
Milan, Palazzo dell’Arte, Mostra di Leonardo da Vinci, 1939, p. 158, pl. 100.
London, Royal Academy, Leonardo da Vinci. Quincentenary Exhibition, 1952, no. 37.
Nottingham, University City Art Gallery, Drawing in the Italian Renaissance Workshop. An Exhibition of Early Renaissance Drawings from Collections in Great Britain, 1983, no. 8, pl. 3 (catalogue by A. Weston-Lewis and J. Wright).
London, Hayward Gallery, Leonardo da Vinci, 1989, p. 94, no. 37, p. 98, under no. 39, ill. (entry by M. Kemp).
L. Syson, ed., London, The National Gallery, Leonardo da Vinci Painter at the Court of Milan, 2011-2012, no. 14, ill. (entry by A. Galansino).
Shanghai, Long Museum, Moscow, Pushkin State Museum of Fine Arts, and Saint Petersburg, State Hermitage Museum, Rembrandt, Vermeer and Hals in the Dutch Golden Age. Masterpieces from the Leiden Collection, 2017-2019 (not in catalogue).
About The Museum of Crypto Art (M○C△)
Christie’s is a name and place that speaks of extraordinary art, unparalleled service and international expertise. Founded in 1766 by James Christie, Christie’s has conducted the greatest and most celebrated auctions through the centuries providing a popular showcase for the unique and the beautiful. Christie’s offers around 350 auctions annually in over 80 categories, including all areas of fine and decorative arts, jewellery, photographs, collectibles, wine, and more. Prices range from $200 to over $100 million. Christie’s also has a long and successful history conducting Private Sales for clients and online sales are offered year-round across all categories. Christie’s global presence is spread across a network of international salerooms and 61 representatives and offices. Christies.com provides detailed articles and videos on the objects offered for sale alongside the latest advances in digital viewing tools to make Christie’s accessible to all.
*Please note when quoting estimates above that other fees will apply in addition to the hammer price – see Section D of the Conditions of Sale at the back of the sale catalogue.
*Estimates do not include buyer’s premium. Sales totals are hammer price plus buyer’s premium and are reported net of applicable fees.
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